On the other hand when you are someone who records their own songs you are basically stuck writing for one voice and for one style that can stifle you a bit. It's a real trade off.
Even when I think I'm writing really young, they say it's too mature.
Although I like the work I've done in the past, I like what I'm writing now even more.
Actually I was writing with people that didn't get records.
That first writing session, what Dan Hill calls a creative blind date, is always a real challenge, and you bring that back to your partner when you return to writing with them.
The main reason he wanted to be a recording artist was because it gives you much more freedom in your writing. You only have to please the artist and the artist is you so you can be more daring and experimental.
There is the great creative part of it. The writing is the best part.
When it comes to the recording and writing, it's still mostly Mickey and I. But now there's this whole live entity that's a whole different thing, and it seems to be where we're gaining the most popularity.
You know, it's absolutely connected to The Mollusk in that, it's what we're writing after The Mollusk. A lot of this stuff reminds me of things on The Mollusk.
The people who are making money are the ones who are writing and singing their own songs.
We like writing with each other; it's fun.
The purpose of writing is to inflate weak ideas, obscure pure reasoning, and inhibit clarity. With a little practice, writing can be an intimidating and impenetrable fog!
I wanted to do Playboy to get across the same ideas I'm singing and writing about these days. It's all about proving that a woman can defy stereotypes.
No race can prosper till it learns that there is as much dignity in tilling a field as in writing a poem.
I've been to a lot of places and done a lot of things, but writing was always first. It's a kind of pain I can't do without.