I don't expect you'll hear me writing any poems to the greater glory of Ronald and Nancy Reagan.
I think the kind of unexpected I really love is when you open books and the actual way of writing is different and interesting. Like reading Virginia Woolf for the first time or Lawrence Durrell for the first time.
I'm writing a novel about two actresses who go to New York, because that's what I know about. One has lost touch with reality, disappears and is picked up by a man.
Writing headlines is a specialty - there are outstanding writers who will tell you they couldn't write a headline to save their lives.
Many days I don't write any code at all, and some days I spend all day writing code.
For me, writing is a love-hate relationship.
Writing saved me from the sin and inconvenience of violence.
If you know what you are going to write when you're writing a poem, it's going to be average.
I'm always writing or playing because that is my life.
The difficulty of writing a good theatre play set in new reality was even greater given that the level of similitude to life that is allowed in a film would not work on the stage.
I had casually rented an apartment that cost $75 a month because I expected my writing to pay my way.
The point of writing my name to you is that I see who you are, you see who I am... and that's what it's about.
When I began writing science fiction in the middle '60s, it seemed very easy to find ideas that took decades to percolate into the cultural consciousness; now the lead time seems more like eighteen months.
As for the historical inspirations I drew on in writing The Snow Queen, I suppose I would call them more cross-cultural inspirations, though they frequently involve past societies as well as present day ones.
In writing and politicking, it's best not to think about it, just do it.