I started writing more with my voice in mind.
It was Noel Coward whose technique I envied and tried to emulate. I collected all his records and writing.
Now I'm doing a film festival for kids and writing a script about a kidnapped journalist in Afghanistan.
I continued writing the bad plays which fortunately nobody would produce, just as no one did me the unkindness of publishing my early novels.
I developed the habit of writing novels behind a closed door, or at my uncle's, on the dining table.
Probably induced by the asthma, I started reading and writing early on, my literary efforts from the age of about nine running chiefly to poetry and plays.
Then about 1951 I began writing again, painfully, a novel I called in the beginning A Life Sentence on Earth, but which developed into The Tree of Man.
Writing is hard work and bad for the health.
Writing is an act of faith, not a trick of grammar.
We're the only branch of government that explains itself in writing every time it makes a decision.
When I did start writing books, I didn't realize it, but the girls that grew up watching the show became moms.
Seem to be telling this, but really telling that. Three-dimensional writing, like three-dimensional chess. Nabokov was the other master of that. You could learn something from Nabokov on every page he ever wrote.
When you're writing about people that are not very well off, you seem to see the kitchen sink. So it was a bit of a sort of cosy phrase that got used a bit too much.
Writing has nothing to do with communication between person and person, only with communication between different parts of a person's mind.
Faithfulness to the past can be a kind of death above ground. Writing of the past is a resurrection; the past then lives in your words and you are free.