On the other hand when you are someone who records their own songs you are basically stuck writing for one voice and for one style that can stifle you a bit. It's a real trade off.

My nature is to be linear, and when I'm not, I feel really proud of myself.

Even when I think I'm writing really young, they say it's too mature.

But I'm someone who the more afraid I am, the more I want to do it to get the fear over with.

Barry is an incredible singer. He's even gotten better through the years.

Barry and I were in the middle of building a house, and I was in the midst of having a nervous breakdown, because that's what you do when you build a house.

Although I like the work I've done in the past, I like what I'm writing now even more.

Sharing a triumph with someone you love is an incredible high.

A lot of guys spend their lives saying no because it's an easier way to keep your job.

Actually I was writing with people that didn't get records.

She could only write with him at night and she was wasting her days just sitting around. So he thought I could write with her during the day. And that was Carole King.

That first writing session, what Dan Hill calls a creative blind date, is always a real challenge, and you bring that back to your partner when you return to writing with them.

That's what it is every time you walk into the room to write with someone new. It's like, oh god I have to take my clothes off 'my creative clothes' and let them see all of my flaws.

The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer/songwriter, or find a singer to develop.

The main reason he wanted to be a recording artist was because it gives you much more freedom in your writing. You only have to please the artist and the artist is you so you can be more daring and experimental.