The photograph reverses the purpose of travel, which until now had been to encounter the strange and unfamiliar.
Today it is not the classroom nor the classics which are the repositories of models of eloquence, but the ad agencies.
There are no passengers on spaceship earth. We are all crew.
We become what we behold. We shape our tools and then our tools shape us.
Money is a poor man's credit card.
The medium is the message. This is merely to say that the personal and social consequences of any medium - that is, of any extension of ourselves - result from the new scale that is introduced into our affairs by each extension of ourselves, or by any new technology.
We drive into the future using only our rearview mirror.
We shape our tools and afterwards our tools shape us.
When producers want to know what the public wants, they graph it as curves. When they want to tell the public what to get, they say it in curves.
Where the whole man is involved there is no work. Work begins with the division of labor.
The new electronic independence re-creates the world in the image of a global village.
The name of a man is a numbing blow from which he never recovers.
Innumerable confusions and a feeling of despair invariably emerge in periods of great technological and cultural transition.
Politics will eventually be replaced by imagery. The politician will be only too happy to abdicate in favor of his image, because the image will be much more powerful than he could ever be.
The modern Little Red Riding Hood, reared on singing commercials, has no objection to being eaten by the wolf.