A lot of times, I played bass on songs. Gene plays guitar on some songs.
I just remembered songs my grandmother taught me, and songs that I learned for the recordings. But, then I learned to speak Italian. When I was there, I hired a professor who stayed with me 24 hours a day. She wouldn't let me speak a word of English.
I was never encouraged to do it and I played the accordion, which I hated. I wish I had taken piano because I definitely would have written more songs of my own, but I didn't.
I just play, and I'm always trying to write songs.
I don't know that all the demons have been beaten, but I'm very, very proud of those songs.
I work hard at that, but the fact that there are a lot of good songs means there are also a lot of really bad songs I've written that you never hear.
I'm now comfortable playing a lot of the old songs, and I've gotten out a lot of the old equipment.
I always try to give my songs as gifts.
People know me for up-tempo songs because of my hits.
One of my theme songs is that if you can't do it in a test tube, don't do it.
I had to go into a studio and compose and write and press up 12 songs in 14 hours. When you're recording a song from scratch it takes you 14 hours to do just one song.
The invention of Bob Dylan with his guitar belongs in its way to the same kind of tradition of something meant to be heard, as the songs of Homer.
But I'm not adverse to the idea of Torch Song as a musical. It would just be different. Because the play will always be there exactly as it was, and in a musical you could tell a lot of the story through songs.
But actually just yesterday we raised the key of one of my songs two steps up, so my voice is obviously responding. It's a muscle, and the more you use it, the more you use it right, the more you should get out of it. So yes, I sing.
I mean, there are so many of his songs that I like that I could easily do that one day.