I think that you get the mood of a song stronger if you get it right that way. On the other hand, you put some songs out live and they don't catch flight. They just flop. It is hard to tell until they are out there.
Just because people play songs with great technique doesn't mean the records are better.
I just feel like the songs that come out are the songs that come.
If you write songs you have an idea how they're going to sound.
We went through this business of me writing out all the parts for these old songs from Gravity and Speechless and we'd been performing that, but we don't do that any more.
We play melodic music, we play songs, we play all kinds of things and when you improvise you don't just shut out different languages, you use all the languages that you have.
These days, there are many people around the world who listen to the songs that made me infamous and read the books that made me respectable.
I think of my songs as there to be something to move people emotionally.
As time goes by, I realize that I do trust the wind. And I often write my songs for myself.
As a person, I'm not that hopeful, but somehow the hopeful part of me reveals itself through my songs.
It's an interesting line that I walk. The AIDS crisis has done a lot for my songs and made them proliferate, and my songs have contributed a lot to that cause as well.
I've written several deeply personal songs this year, which I really love. Some of them came out of intense sadness. This has been an extremely difficult year for me.
There is no seam between my songs and myself-they really are me. It's not like I'm performing; I'm just singing stuff that I really believe.
My songs grow on people - like warts.
I think the fans really wanna hear the songs the way they sound on the record.