I'm probably writing music now for the same reason as I started writing songs when I was 14 - to meet women.
My songs are like my kids.
I think there's nothing better than seeing a three-chord straight up rock 'n' roll band in your face with sweaty music and three minute good songs.
My songs are really never titled. Sometimes I call it one thing. then I change it.
These songs are old friends I have entertained myself with when I'm washing the dishes, driving to the store and walking down the aisles. The ones that you sing when you're driving in the car and as a singer you always go back to them.
I've been saying for almost 20 years that I need to do a jazz project and it ought to be either big band or I should do some jazz songs with a trio or quartet.
It's not about battling the original artists when I record these songs, it's about paying tribute to them.
I sing the songs that people need to hear.
That's where it begins and ends for me and these songs were the ones that touched me the deepest. It was like I was laying hold of some part of me that I didn't even know was there until I let it out.
You can't fake this music. You might be a great singer or a great musician but, in the need, that's got nothing to do with it. It's how you connect to the songs and to the history behind them.
This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.
Most of the songs I sing have that blues feeling in it. They have that sorry feeling. And I don't know what I'm sorry about. I don't.
A lot of times songs are very much of a moment, that you just encapsulate. They come to you, you write them, you feel good that day, or bad that day.
I must be careful not to get trapped in the past. That's why I tend to forget my songs.
Blues are the songs of despair, but gospel songs are the songs of hope.