Hi-Tek is on three or four songs on the new record.
If certain songs become popular enough to the point where I'll be playing them the rest of my life, I don't want them all to dwell on the same down moment that I'll have to keep reliving.
Once I got a record contract, and I took my songs which weren't quite finished, or maybe they were a good idea, maybe they weren't. I took them into the studio and developed them. They came to life and they evolved... and they're great.
The flattery is nice, but awards don't add up to writing quality songs.
I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs.
That's why these songs have lasted as long as they have because they're just about feelings that don't change. They are love songs, they are not specific, those kinds of feelings don't change.
The album is a definite departure. I haven't written original material before, except for one song on my first album, but Elvis and I did six songs together on this one.
You know, I've sung a lot of emotional songs in my life, but when you're writing it yourself, it's very difficult to decide what to reveal.
After a while, though, the group just wasn't a good vehicle for the songs I'd written.
John Lennon and Ringo Starr liked my songs. I used to write songs and they heard me sing songs on stage in London.
Even though there's these songs and whoever the hell put it in the internet, if there's any good riffs in them, we raped the songs and put in the new ones.
It doesn't take me long to write songs.
I sang the songs in 'The Doors'.
But then when he left, I realized that it was harder to write songs and feel spiritually connected to art and music as a band. When he came back I felt it again, instantaneously.
Everyone in my family sang, and we would always sing these songs.