If I could rap, that would be a sensation, but I can't, you see, I'm just a Caucasian.
It's bad poetry executed by people that can't sing. That's my definition of Rap.
I don't like rap music at all. I don't think it's music. It's just a beat and rapping.
In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
Rap actually took root in the Negro community, and then in the Hispanic community, long before it impacted on the larger American community as a whole.
So, rap has that quality, for youth anyway; it's a kind of blues element. It's physical, almost gymnastic. It speaks to you organically. Rap grows out of what young people really are today, not only black youth, but white - everybody.
When you do rap albums, you got to train yourself. You got to constantly be in character.
Rap is poetry to music, like beatniks without beards and bongos.
I understand what rappers are talking about. I think rap is less about educating people about the black community and more about making money.
I like to make music, I like rap music. Even if I'm white, I support that music. If I want to support it or any other white kid wants to support it more power to them.
My take on rap is driven by straightforward American southern rock and blues.
That's why I called my record Devil Without a Cause - I'm a white boy who's so sick of hearing that white kids are going to steal rap.
They believed you can't mix rock, country, and rap, and that crossover is dead. I always knew it would work. And it will always work as long as you're really into it and like what you're doing.
And to turn it into rap wasn't too difficult besides just rhymin' the last words of each line.
I haven't done rap... I can't do that too well.