I would never do something like Speed 2 again. If I'd wanted to make those kind of movies I could have signed up for five of them while it was in the can. It wasn't worth it to me. That was just an innocuous, boring movie.
I've been very successful doing voices in movies. I did Olive, the Other Reindeer, with Drew Barrymore, and I did Cats and Dogs. My children came to some of the sessions.
We should do another 10 Bad Boys movies. I could come in in one of those electric wheelchairs, like Peter Sellers in Dr Strangelove, just shouting away.
So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point.
I always thought that Elvis could have been a great actor, and that he was put in a lot of unimportant movies when he could have done a lot of great ones.
You go back to those films of the '40s and '50s and hear the dialogue, the way the people played off each other, the wordplay. I think we've really lost that in movies.
We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.
I knew I was a good stage actor but I had no idea about movies. And I wasn't a Paul Newman type of guy. That's why I thought the stage is just right for me.
There's not much to do in Atlanta, so the cast went to the gym together, went shopping together, and dinner was always a group thing. It's that whole summer-camp experience that making movies tends to be anyway.
