If I was coming into the business today, I wouldn't be in it. Knowing what I know, absolutely not.
I don't have a problem with fame. I got into this business intending to be very successful, but I wanted it to be at my price.
I don't like people who use the press to advance themselves in a way that they haven't earned as an actor, performer or director.
I have a problem with the blatant celebrity exhibitionism that happens in this business and being sold purely as a brand.
I have all this time between projects, and I'm not so sure that's a healthy thing. It's scary, because at 36 I'm woefully unqualified for anything else.
I made three movies in 1995 and I was unhappy with all of them: Sleepers, Incognito, and Speed 2.
I never turned down a movie because they wouldn't give me enough money.
I really tried to make movies I wanted to see. I thought that if I was good enough, somebody would always need me.
I think that's what I really liked about Narc: My character has a real operatic range in a way that older movies used to have.
I think The Exorcist is the best American horror movie ever made. Friedkin was at the top of his game.
Everybody acts like they're in a movie in most movies. That's why they stink.
I don't find movies interesting. I just want to do the movies that made me interested in getting into movies, and they're few and far between.
You know how many movies it took Tom Cruise before he was making 5, 6 million dollars? It probably took a billion dollars in box office.
I was making a lot of independent movies before the independent movement.
I would never do something like Speed 2 again. If I'd wanted to make those kind of movies I could have signed up for five of them while it was in the can. It wasn't worth it to me. That was just an innocuous, boring movie.