The best thing that I got was rehearsing with my father. It was always about the process of figuring things out, and trying something new, and having another take on something and keeping it alive.
I think the Mother is gradually revealing itself to me and taking over. But it is not the Mother alone. It is the Mother and the Father, the male and the female, sort of gradually having their marriage.
You must be ready to give up everything, not only material attachments but also human attachments - father, mother, wife, children - everything that you have. But the one thing which you have to abandon unconditionally is your self.
She encouraged any artistic impulse I had, and my father discouraged any artistic impulse I had. They took out their problems with each other on me and my sister.
My father who in this case was an obsessive life-long storyteller, and by a very peculiar trick of my father's. My father would tell a very, very long story, and the punch line would be in Yiddish.
My goal was to play drums, but my father made me take piano lessons. He told me I needed to learn to read music first, so I took lessons for six years. I thank God that he made me take those lessons, because it taught me a tremendous amount.
The first jazz pianist I heard was Thelonious Monk. My father was listening to an album of his called 'Monk's Dream' almost every day from the time I was born.