The figure is still the only thing I have faith in in terms of how much emotion it's charged with and how much subject matter is there.
You can lose people without them dying, and I have, from moving, from traveling. The emotion is real, it just doesn't actually have to do with death. I'm singing about what I know, and it's a song about longing for somebody who's disappeared in your life.
I think that's the great thing about music: It can communicate emotionally. And you don't have to necessarily get all of the words. I mean you have to know what is being said, but didn't you find even if you didn't get all of the words, you certainly get the emotion?
Emotion resulting from a work of art is only of value when it is not obtained by sentimental blackmail.
When you are modelling, you are creating a picture, a still life, perhaps something like a silent film. You convey emotion but you are only using your body.
All ideas come about through some sort of observation. It sparks an attitude; some object or emotion causes a reaction in the other person.
I use dancing to embellish, extend or enlarge upon an existing emotion.
It is impossible for emotion not to come on us in thinking of that time now flowed away.
A work of art which did not begin in emotion is not art.
I had taken on the color of the climate around me and had driven back all the emotion that rose from the Brooklyn streets so that I could belong to the exclusive club of Congress.
It's a different way of getting across an emotion. You're trying to get it across to the animator because the animator is inspired by the voicetrack in terms of how to animate the character.
I tried to have more than one emotion on the record.
When dealing with people, remember you are not dealing with creatures of logic, but creatures of emotion.
It wasn't my tennis that made me lose, it was a lot of different things going on, high drama, high emotion.
Sometimes you get submerged by emotion. I think it's very important to express it - which doesn't necessarily mean hitting someone.