I remember being onstage once when I didn't have fear: I got so scared I didn't have fear that it brought on an anxiety attack.
Exploiting people's emotions of fear, envy and anxiety is not hope, it's not change, it's partisanship. We don't need partisanship. We don't need demagoguery, we need solutions.
I often thought I was in the wrong business. I was pretty seriously thinking of tossing it in before I shot Shine. I do not know why. I was pretty restless, I had been through a bad period of stress induced anxiety - panic attacks - and I was not sure of what I wanted to do.
That's the duty of the old, to be anxious on behalf of the young. And the duty of the young is to scorn the anxiety of the old.
What some call health, if purchased by perpetual anxiety about diet, isn't much better than tedious disease.
Anxiety is love's greatest killer. It makes others feel as you might when a drowning man holds on to you. You want to save him, but you know he will strangle you with his panic.
Concentration is a fine antidote to anxiety.
For as long as I can remember I have suffered from a deep feeling of anxiety which I have tried to express in my art.
Without anxiety and illness I should have been like a ship without a rudder.
Our Age of Anxiety is, in great part, the result of trying to do today's job with yesterday's tools and yesterday's concepts.
The natural role of twentieth-century man is anxiety.
My mother's suicide attempts were a way to release anxiety and get attention. Some of the attempts were drug reactions she didn't even remember later on.
We often hear of people breaking down from overwork, but in nine out of ten they are really suffering from worry or anxiety.
I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
At some stages of your life you will deal with things and at others you are overwhelmed with misery and anxiety.