The models for me were more the folk-rock singers of the '60s and '70s.
Well, I make every song I sing personal. I've never chosen a song that wasn't.
We went to see all the shows. American musical theater and jazz were very big.
We are in this period now where we all are trying to be in shape physically and deny ourselves any pleasure.
There was a French singer, Francoise Hardy - I used to look at her pictures and try to dress like her.
Sometimes, but the year I lived in France I started to write songs.
Sometimes my boyfriend would write the lyrics and I would write the melody, and other times I would start from scratch. Or sometimes I would take a local poem and put that to music.
Well, I tried to get a record deal in 1966 or '67, and everyone thought I was too eclectic.
So I suppose this slightly mature fashion sense happened because of what I had.
One of the things that has always motivated me to write is the desire to get it out and look at it in an objective way, so that it doesn't cause me any serious pain by staying inside.
No, because I've never really changed my style that much.
No, because I was always nervous about being onstage.
But when we listened to the radio, it was Bill Haley and the Comets or the Everly Brothers.
My look was even more solidified when I started singing in Greenwich Village with my sister Lucy. We wore matching dresses as the Simon Sisters.
It didn't matter as much because I'm a singer, not an actress, but my face is more acceptable in a way now than when I first came on the scene, because I'm part black.