My father was a classical pianist, and my mother was a singer of just about everything.
I'm still more comfortable with standards than with my own songs.
I just want to show off my scar proudly and not be afraid of it.
I took it to heart that in order to be a good person, you never said anything mean about anybody.
I think that most people really know if it's a really great album.
I think that I've got some pretty bad reviews on albums or songs that later proved themselves.
I remember being onstage once when I didn't have fear: I got so scared I didn't have fear that it brought on an anxiety attack.
You usually can't tell what's inspiring until you look back on it.
You know, people want to honor me, and on the one hand I just don't want to be a poster child; but on the other, I want to do something classy and great - something where the residuals will go to the cause.
You know when you take the paint off an old canvas and you discover that something's been painted underneath it? That's what I feel like - that part of the old is coming through the new.
I've gone through the village of my songwriting and my artistry, and I've gone through lots of different phases, including one where it has been very quiet and abandoned me for a few years.
Do you know how many concerts I've done in my whole life, in more than 35 years of performing? Sixty-four.
I always think it's interesting to dig a little bit deeper every time you go to someplace that seems like a revelation or a strong connection to an emotional truth.
Being in this business for as long as I've been in it, it's sort of like living in a town or a city before the war and then after the war and then during the reconstruction and then during the time that it sprawls out to the malls.
As a singer I tried on all these hats, these voices, these clothes, and eventually out came me.