Henry Miller wrote novels, but he calls his protagonist Henry, often Henry Miller, and his books are in this gray area between memoir and novel.
I've been writing about James Fenimore Cooper. He was not a writer. Here was a man who was 30 years old and had never put anything more than his signature on paper.
I used to be fond of Indian arm wrestling.
I think the pattern of my essays is, A funny thing happened to me on my way through Finnegans Wake.
I think Henry Miller has had huge influence not because he wrote about sex, but because the memoir or the nonfiction novel has become such a monumental force in American publishing, if not in literature.
I never met anybody in my life who says, I want to be a critic. People want to be a fireman, poet, novelist.
I love it now that a large minority of people who are handicapped prefer to call themselves crippled. This is all part of the game, like queer theory.
I long for the raised voice, the howl of rage or love.
I liked Camille Paglia. I liked her even better when I heard her talk.
I like that people who are not experts can not only understand but get engaged by my work. I like that Joe Paterno can read me. Bill Bradley.
I have, I admit, a low tolerance for detached chronicling and cool analysis.
I admire Ginsberg as a poet, despite the fact that he seems not to know when he is being good and when he is bad. But he will last, or at least those poems will last.
All good criticism should be judged the way art is. You shouldn't read it the way you read history or science.
Gertrude Stein really thought of Hemingway as frail. He almost married Stein.
Hemingway seems to be in a funny position. People nowadays can't identify with him closely as a member of their own generation, and he isn't yet historical.