The reason Saul Bellow doesn't talk to me anymore is because he knows his new novels are not worth reading.
The novel is the first art form that is an honest-to-god commodity. That's what makes it different from both high art and folk art.
The novel is always pop art, and the novel is always dying. That's the only way it stays alive. It does really die. I've been thinking about that a lot.
The novel doesn't come into existence until certain methods of reproducing fiction come along.
Jane Austen is at the end of the line that begins with Samuel Richardson, which takes wonder and magic out of the novel, treats not the past but the present.
The middlebrow, I hate.
It's funny to be a critic.
Kafka is still unrecognized. He thought he was a comic writer.
My assignment is what every writer's assignment is: tell the truth of his own time.
Of the female black authors, I really like Morrison's early books a lot. But she's really become so much a clone of Faulkner. He did it better.
Raymond Carver is good. I think he'll be appreciated more and more. He's an easy writer to imitate.
Saul Bellow never took my advice when he was my friend.
The black situation has changed. They finally realized they're Americans.
It's so wrong when I pick up a new edition of Huckleberry Finn and I look at the last page and it doesn't say, Yours truly, at the end.