I can feel the 60S looming. In my profession, I've just moved along with my age. By thinking in decades, rather than whether someone's 42 or 47, you can give yourself a whole 10 years to turn yourself around in.
When you record, you live with what you recorded for many many years, but when you play it's just an hour and a half and then once it's over it's over.
So usually even if you like a sentence or a story or something, it won't come out that way - it'll come out years later, and in a different way, and you don't really control that.
Sometimes you're trapped in writing songs and you don't have enough distance from what you do anymore and you need the talent and the years of other people to come and jump in.
After that I won a prize, I was with a group of ancient music of Spain that they helped me a lot with a grant, you see, during three years. And so I made my debut in 1944 and I found myself helping my family, it was a very poor family.
I've been working with them for a couple years and a couple of projects. Essentially Robert F. Kennedy Jr., is the chief litigator for this corporation, this Alliance, and their job is to prosecute corporate polluters of the great bodies of water in North America.
I've also been working with the Challengers Club in the inner city of Los Angeles for 15 years now, I guess, and it's essentially an inner-city recreation club for boys and girls.
That was fun to play. There were some nice special effects coupled with some really nice moments with child and wife. I also was able to age to about 100 years in 'Brief Candle.'
Fortunately, I got called down to NASA for an interview. And one thing led to the next, and one day I got that call. I've been here about seven years now and am really enjoying it.
I've had the same, full-time assistant and typist for eight or nine years now. She's read everything I've written, she types everything and does a good job, translates it and makes comments.
