After Strangelove I also started work on an adaptation of The Collector.
David Burnett was the son of Martha Foley, who edited the Best American Short Stories series. She hired me to work with David and her to read stories for the anthology.
Sometimes I feel an obligation to be accessible as a personality, but for me the driving force since the beginning has always been good work, taking risks, trying new things. If the door opens, go through it. Always go forwards.
Paul and I were both struggling actors. One night he would serve me in a restaurant, and the next night I would serve him. It was what out of work actors did.
Nobody teaches you to be a father. Nobody teaches you to be a husband. Nobody teaches you how to be a star. You have to learn to work with the tools.
In the past the publishers I've worked with have been extremely generous. And in almost every case, have been people who believed in the work rather than the sales and marketing.
I was raised in a Bronx public housing project, but studied at two of the nation's finest universities. I did work as an assistant district attorney, prosecuting violent crimes that devastate our communities.
I take the responsibility of choosing seriously because it becomes an indelible part of your body of work. Something has to sing to me.
I have a hard time getting motivated to do something that seems like a career move. I've gotten into vague trouble with my agents for turning down work that I thought was exploitative.
My foundations support people in the country who care about an open society. It's their work that I'm supporting. So it's not me doing it. But I can empower them. I can support them, and I can help them.
I give away something up to $500 million a year throughout the world promoting Open Society. My foundations support people in the country who care about an open society. It's their work that I'm supporting. So it's not me doing it.
I'm not doing my philanthropic work, out of any kind of guilt, or any need to create good public relations. I'm doing it because I can afford to do it, and I believe in it.
I don't want to express alienation. It isn't what I feel. I'm interested in various kinds of passionate engagement. All my work says be serious, be passionate, wake up.
If people have split views about your work, I think it's flattering. I'd rather have them feel something about it than dismiss it.
The movie adaptations of stage musicals that I've seen, without exception, in my opinion don't work. A lot of people would disagree with me.