I like what I do, and I'm very fortunate now to be in a very nice place. Which is that I don't have to work anymore. So the work that I do now is purely because I really want to.
And I do think that earlier in my career, I did make a very conscious decision to make sure that I was doing work that wasn't necessarily given to me, and that people didn't necessarily think that I would be able to do.
At least I know that one film-maker in my career has had the initiative to come to me and thought of me as being capable of doing interesting and complicated work, and so I have a new-found belief that other film-makers will see me in a different way, the way that Patty did.
I guess there are very few actors that I've worked with that I would like to work with again. You never think you'll have that chance and, if we didn't do Italian Job together, there wouldn't be another one that could be right.
We were using a hand-held camera to film the scene when Morse collapses. The camera wouldn't start. Three times they said action and it still wouldn't work. To this day, they still don't know what was wrong.
Plan your work for today and every day, then work your plan.
What is success? I think it is a mixture of having a flair for the thing that you are doing; knowing that it is not enough, that you have got to have hard work and a certain sense of purpose.
I do not know anyone who has got to the top without hard work. That is the recipe. It will not always get you to the top, but should get you pretty near.
I would have to challenge the term, modern dance. I don't really use that term in relation to my work. I simply think of it as dancing. I think of it as moving.
I never studied with Balanchine, but his work was very important to me.
Let the future tell the truth, and evaluate each one according to his work and accomplishments. The present is theirs; the future, for which I have really worked, is mine.
If you want to write the next great novel, but you think, No, this won't work because no one will buy it or it won't be any good, then you talk yourself out of taking a risk.
I took the ET job because I wanted to stop traveling and they said I would only work half a day. Then I could work on music the rest of the day. They put in my contract that I wouldn't work after 1 P.M.
A lot of people are willing to pray or to put in work, but they're not willing to take true risks.
If it is the mark of the artist to love art before everything, to renounce everything for its sake, to think all the sweet human things of life well lost if only he may attain something, do some good, great work - then I was never an artist.