Those worship songs on the Christmas project will air on PBS television. That's highly unusual.
I spent another six years in Europe covering sporting events such as the Tour de France.
There's probably a way to use that great content and to live under the radar now and then in order to reach a new audience. That's the thinking I'm talking about.
Really, at a time when they're debating when and where a nativity scene can be used, this is the kind of stuff we need to have out there - outside of the church.
If you want to write the next great novel, but you think, No, this won't work because no one will buy it or it won't be any good, then you talk yourself out of taking a risk.
If you want to get an education in how to get a story and how to survive, then get a street reporter job in New York City.
I've been stuck on John Eldredge lately. He's all about being a warrior outside of the church. I hate to think about this kind of stuff - I just like to do it.
I'd like to do a television show that is encouraging, useful, and clean, and I'd like to go up against Entertainment Tonight and beat it.
To understand this Christmas record, you have to understand our ministry.
I took the ET job because I wanted to stop traveling and they said I would only work half a day. Then I could work on music the rest of the day. They put in my contract that I wouldn't work after 1 P.M.
Risk means everything from being honest about your faith, to moving, to quitting a job that's paying you a fortune but it's not what's in your heart. Risking things is one of the biggest fears we have.
I grew up wanting to be a musician, but my parents were sure I would starve to death. So, they put me in physics and chemistry. That eventually blew up, and I got into radio.
I come from the performance world, but the idea of a worship song is different. It's useful music.
I always wanted to be a full-time musician. Every television job I had was a means to buy a grand piano, or to put in a recording studio, or something like that.
After playing so many songs in churches for eight or nine years, I've learned what songs people react to. Then I just had fun with the arrangements. That's how this album came together.