One of the things that's influenced me musically was my experience at Brown University. I was surrounded by musicians that I really admired, and felt challenged to come up with music, lyrics, and recordings that stood up to the expectations of those musicians and myself.
I write bars, for the musicians, because they have to be together.
I think that's given inspiration to other musicians. I know, particularly through the 90s, a lot of bands would cite Rush as an influence. I don't think it was so much our music, but more the way we really stuck to our guns.
Like most musicians, I'm good at becoming immersed in the music that I am currently working on. We seldom lift up our heads to contemplate even the music we will be doing in the future, let alone what we've done in the past.
But, I would be naive not to recognize the number of musicians who tell me they have been influenced by me and sight me - as well as Alex and Neil - as a musician who has been a positive influence on their playing.
It was by listening to Goodman's band, that I began to notice the guitarist Charlie Christian, who was one of the first musicians to play solos in a big band set-up.
I've always considered music stores to be the graveyards of musicians.
When I heard Monk in person in 1955, he was playing with a quartet in a small club. The place was full of musicians, but there was no public at all.
In The Doors we have both musicians and poets, and both know of each other's art, so we can effect a synthesis.
Every musical movement that is big enough has to produce some good musicians who wouldn't have had the incentive to start playing without it.
I've always thought that actors wanted to be pop musicians and pop musicians wanted to be actors.
We spent a month in LA using a pool of musicians, a string arranger called Benjamin Wright, some great backing singers, and it gave tracks like Dynamite, which was written there, that kind of flavour.
I mean, I could just go round and use session musicians for every song, but I don't find that helps when it comes to setting up a band for live. Derrick has been with me for donkey's years.
'Tis the common disease of all your musicians that they know no mean, to be entreated, either to begin or end.
In Berlin I especially enjoyed the orchestral concerts, and I attended a large number of them. I formed the acquaintance of a good many musicians, several of whom spoke of my playing in high terms.