Musicians always come off sounding a little bit pretentious, and a little bit... I don't know, hypocritical, from what they do, talking about strong issues.
We all feel love, and that might sound kind of corny, but I really feel that's what joins musicians together around the world.
The musicians that didn't know music could play the best blues. I know that I don't want no musicians who know all about music playin' for me.
I talked to ex-wives of musicians of the '70s for research. They're the funniest people in the world, yet there is this sad, beautiful thing in their eyes that says they've seen more than they could ever possibly tell you.
When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.
Of course, there are many, many musicians whose music gives me pleasure, but until I make contact with them, musically or personally, I never assume that anything wonderful will happen.
Groups are corporations now. They have pension plans. Musicians have saw the daylight.
The people in Japan know more about the history of jazz and the musicians than the people in the United States do.
I lived in an area where there were a lot of rock musicians, and we got together regularly in our studios.
THE GODS was my first professional band and I learned a lot during that time. It was very cool playing with so many great musicians as it helped me to learn.
Visible Faith is an expression of my Christian faith which must be visible to be real! I gave the name to the collection of musicians who worked with me on the record.
A friend of mine took me to Memphis advised me that I should get in the musicians' union. He gave me a set of drums and said, Stay on the job, son.
Not only did I get to play with these great international musicians, but I also had the opportunity to jam with the local celebrities in Toronto, people like the Walsh Brothers, David Wilcox, Kim Mitchell and the like. It was a great learning experience.
We were playing, not for the drunks, but for the musicians, because it was more intellectually challenging. We needed somewhere to put our energy to show that we were growing, and as we started to achieve this, people came to hear us musically.
Working with Benny was important for me and for black musicians in general.