A lot of musicians aren't proud; they'll do other work, just to be able to play music. I guess that's the way it's always going to be - musicians will have to suffer to a certain degree in order to obtain their outlet.
I meet many people, I talk with them, like a TV show host. I show what's going on with Greenpeace, interesing political things, I have artists, musicians and bands.
When I left Van Halen, I went in the studio and made a CD called Marching to Mars with all studio musicians. I did it immediately. With the disappointment riding on my shoulders of the breakup of the band.
As long as there are musicians who have a passion for spontaneity, for creating something that's never been before, the art form of jazz will flourish.
I want them to come away with discovering the music inside them. And not thinking about themselves as jazz musicians, but thinking about themselves as good human beings, striving to be a great person and maybe they'll become a great musician.
Coltrane would do what you'd get a Roland Pro Tools module to do but with a group of jazz musicians.
Like Russell, I enjoy the fact that when I'm playing solo, if I want to do something completely spontaneous, I don't have to worry about how I'm going to cue the other musicians, or if it's something that's rehearsed.
What 'jazz' means to me is the worst kind of working conditions, the worst in cultural prejudice. The term 'jazz' has come to mean the abuse and exploitation of black musicians.
Too many young musicians today want to win polls before they learn their instruments.
The public is usually slow to catch on to new things, and it's important that musicians stick to their guns and not look for that instant gratification.
You can read all the textbooks and listen to all the records, but you have to play with musicians that are better than you.
A lot of my friends are struggling musicians. Being a struggling actor, it's just frustrating because you're not allowed to do what you want to do.
What people really should be able to be confident in is that the standards of music- making that classically trained musicians present is elite, it is the best and all of us as artists should be committed to that.
Many musicians will say they don't care about the money yet they must commit themselves to appear at given times and places, and to produce what sells, whether they believe in it or not. It depends on contracts.
You could say that everything the musicians have learned and known over the years, all of their technical resources, are in a dialogue with the things they are discovering every time, as if it was the first time.