I'm older than I was, and I'm still washed-up, and I haven't changed my music one iota. It's just much easier to do this when people are being nice to you.
Even though I have often recorded alone, I still feel the best music is made by musicians playing off each other.
You should play with real musicians; the best music comes from real people interacting with each other.
Now that I'm older, I like almost anything that's done well, even surf music and instrumentals; I really enjoyed the interviews with the Ventures in your magazine.
I may quit the music business someday, but never the music.
I had never done TV. I think it's a foolish medium for, most rock 'n roll music. Nobody ever comes off well on TV.
My upbringing made me think that real legitimate music is written, not heard.
My dad was vehemently opposed to electric guitars. He did not look on that kind of music as legitimate in any way.
Even before Europe was united in an economic level or was conceived at the level of economic interests and trade, it was culture that united all the countries of Europe. The arts, literature, music are the connecting link of Europe.
I've never set out consciously to write American music. I don't know what that would be unless the obvious Appalachian folk references.
I found a certain kind of music congenial to me; it never occurred to me to write music that was academically acceptable.
It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.
I had all the normal interests - I played basketball and I headed the school paper. But I also developed very early a great love for music and literature and the theater.
What is American music? The most satisfying answer I've come across is that it was a kind of natural comfort with the vernacular which is diverse and regional; it's not one particular set of sounds.
There's the Bacon society, which is fostered by his fourth wife Helen Bacon, but I don't know what kind of performances his music gets. He wrote symphonic music and some chorale music.