Improvised music involves a lot of intuition and I like developing intuition.
And so many of the kinds of labels you get stuck with don't really tell the story; Progressive, Art Rock, Noise Music, Downtown - it ends up being a struggle to stay out of debates that other people are having around you.
Well, I think music for kids is never anything but experimental is it?
We play melodic music, we play songs, we play all kinds of things and when you improvise you don't just shut out different languages, you use all the languages that you have.
There's an awful lot of resources that can be drawn upon in an improvised music concert.
One of the things I particularly enjoyed doing was taking raw sound from locations during the film, like the candy machine, and writing pieces of music to go with them, which is totally unnecessary within the context of the film, because they have their own logic.
I spend a lot of time copying saxophone players and trumpet players. Not to say that it is not important to listen to guitar players, but there's so much music out there and so many possibilities. I like anyone who plays any instrument.
Linguistic philosophers continue to argue that probably music is not a language, that is in the philosophical debate. Another point of view is to say that music is a very profound language.
However, in modern conceptual frameworks there is a more sophisticated view. I would say that the act of music exists in several worlds simultaneously.
If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra have played this particular chestnut so many times, they can play it in their sleep. Does the genius remain present in the music or not?
If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no.
Music can be transformative, utterly transformative. The act of music is utterly transformative.
When there were financial difficulties they still managed to provide us with music and art lessons.
I publish my own music. I'm creating my own songbook. It works that way for me; I'm very independent.
In the music industry, we value large success. I realized that while I would like that, that it's not what my writing is about. And if I start making it about that, it becomes impure.