I'm not trying to clock scores in this lifetime, it's just that things are better now than they were like five, ten years ago. Music has gotten a lot better. There's a lot of people who are committed to - soulfully.
My first interest was always music, and somehow that channelled itself into films and acting. I don't know what the natural transition of it was. I mean I acted a little bit when I was young and like any kid would in a community theatre.
You have to react to what's around you in the moment, whatever the music is. Just think of it as some place you have to enter and you need to find the key.
I think that most people who write about music just want to fill some paper. They're not really interested in getting to the heart of something. Otherwise, they wouldn't write what they write.
It's about the music and that's it. I'm not an entertainer. But I do entertain people, see what I mean?
You've seen one of the our gigs you've seen 'em all. But if you're into the music, you'll know that we played better the night before or we can play better.
I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.
I guess you could say I devoted myself so strongly to my music that for awhile I forgot about my family. But I only get one set of parents, and I think I forgot about that for a little while.
I hope that what you take away from my album is not just the music - which I did want to be fun, and I did want it to be about individuality, but please also take away from it that there's no dream that's too big.
Where I come from it was really unheard of to be at a party and someone says, 'What kind of music do you make?', and you say, 'Pop music.' You may as well have 'I'm not cool' stamped on your forehead.
What I've discovered is that in art, as in music, there's a lot of truth-and then there's a lie. The artist is essentially creating his work to make this lie a truth, but he slides it in amongst all the others. The tiny little lie is the moment I live for, my moment. It's the moment that the audience falls in love.
The industry does have some influence on who gets other awards. With the Mercury Prize, they don't. Jon comes from the business, but his heart is still very much in the music. Currently, we have about 12 major names that have said they want to be a part of MUDDA.
One thing that really appeals to me is this idea of music being a living thing that has an evolution that, in a way, enables the artist to sell a process rather than a piece of product.
I think another thing is that we don't really want exclusivity. We accept that it is in the artist's interest to be on sale in every place where they sell music.
I think it is the weak and the young and the minorities that you need to look after to get a healthy creative environment - to get a lot of choices, a lot of different styles of music, a lot experimental stuff that everyone else feeds off.