We didn't go for music that sounded like blues, or jazz, or rock, or Led Zeppelin, or Rolling Stones. We didn't want to be like any of the other bands.
I think that what I'm interested with is the creative side of music-making, rather than all the travelling.
I'm amazed at how adventurous and how dangerous the music was, and still is. I haven't heard anything like it since. I'm quite surprised, because a lot of the music on there we never heard at the time.
I like going to New York. I like the galleries and the theatre and the restaurants and bars and music. I think that city is more alive than Los Angeles.
The only thing I was any good at was music.
This business is about working. It's really not about glamour. For me, the most glamorous thing about it is to b able to get on stage and perform my music for people. That's the privilege. And that's what all the work leads up to, and that's why it's worth it to me.
The ideal situation would be to bypass all of the drama and mayhem and just get the music right to the people. I'm confident that we'll eventually figure it out.
When you work you are a flute through whose heart the whispering of the hours turns to music. Which of you would be a reed, dumb and silent, when all else sings together in unison?
It is proportion that beautifies everything, the whole universe consists of it, and music is measured by it.
You feel the music needs something but you don't know what. So you start searching, fitting, measuring, trying. Every time you try another angle. And sometimes that's frustrating, especially if you don't come up with something for three days.
We're thinking about printing the lyrics with the next record so that people can find their own meaning in them. But then they would start having a life of their own, and I think the Portishead music should stay a whole in which the lyrics come second, actually.
The music comes first. When Geoff has made something the inspiration comes automatically. His music is very expressive. But still is is a very difficult process: I have to add something to his music, not push it away. It has to be equal, and I find that very difficult.
The Bee Gees were always heavily influenced by black music. As a songwriter, it's never been difficult to pick up on the changing styles of music out there, and soul has always been my favourite genre.
Nobody will ever take Maurice's place, and he'll go on with us and he'll go on our music. He'll go on with us as the Bee Gees, and Maurice will always be with us.
Music became an obsession, and eventually we felt more comfortable with each other then we did with anyone else. The three of us were like one person.