I think it's like music for the sake of music, and a lot of the words stem from liking music a lot, wanting to be a good band and having a good sense of humour, and living in a situation where we're free to pretty much do what we want.
I just wanted to say one more thing: I also think that when you go to play music, you're there to play music.
The Grateful Dead were an influence on our music but they weren't by a long shot the biggest influence.
But I do think that we approach music, in of itself, with a religious attitude.
I try to put myself into unusual and difficult situations as often as I can in order to capture the element of struggle in the music.
I've spent my life hearing people trying to apologize for music.
When I do the music, I make the musicians listen to what's happening in the film. That way they treat the dialogue as if it was a singer.
In a way, the history of jazz's development is a small mirror of classical music's development through the centuries. Now jazz is a living form of original music, while classical music has gotten to the end of its cycle in terms of exploring its form.
There's a sadness to the human condition that I think music is good for. It gives a counterpoint to the visual beauty, and adds depth to pictures that they wouldn't have if the music wasn't there.
The power of sound to put an audience in a certain psychological state is vastly undervalued. And the more you know about music and harmony, the more you can do with that.
Elizabeth Barrett Browning could write a poem two pages long. Could she have brought it to a music publisher?
Oh yes, much, because music is just something that comes to you. You don't question it.
I like the fact that music is more abstract.
I didn't really want to give up music.
But when you get music and words together, that can be a very powerful thing.