Now in a way, money is money, and if it's going to increase our audience, that's fine.
We sold a certain, steady amount of product for them and they could count on it. When it came time to ask for the money for this new record, they dropped us. It was fine with us. It was a dead fish.
My philosophy has always been, "do what you love and the money will follow."
The people who are making money are the ones who are writing and singing their own songs.
We still have that same burn, to get that same kind of laughs. So whether the studio wants us to or not, we're going to do it. The money is just a byproduct of coming out with good stuff. Our whole thing is building that rapport with the audience.
I prefer the smaller budget versus the bigger budget because the mentality that goes along with big budget filmmaking doesn't really suit me; the mind-set that money is the answer.
Money does not motivate me as long as I can provide for my children.
Money is only useful when you get rid of it. It is like the odd card in "Old Maid"; the player who is finally left with it has lost.
The reason we have poverty is that we have no imagination. There are a great many people accumulating what they think is vast wealth, but it's only money... they don't know how to enjoy it, because they have no imagination.
Ray Charles' revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
Now that I'm gettin' old enough to get some money, I'd like to have some money. I don't get much made, I need to conquer a big chunk of money. Not quit playin' but quit playin' so hard.
There's no way in the world I can feel the same blues the way I used to. When I play in Chicago, I'm playing up-to-date, not the blues I was born with. People should hear the pure blues - the blues we used to have when we had no money.
Mom never quit on me. My only regret is that she didn't live long enough to share some of the money and comforts my work in show business has brought me.
At the time, I was making good money doing background work and demos.
Poets, we know, are terribly sensitive people, and in my observation one of the things they are most sensitive about is money.