I think you have to have a jazz pedigree to be on jazz radio.
I think the challenges for me was to go into the studio with these incredible jazz players and come up to their level of excellence. That's always a challenge.
I recorded my first jazz record in the '70s.
I've always loved jazz.
When I sang that song, I felt it was almost as if some force had moved into my body. Things like that have only happened to me singing jazz. It doesn't happen when singing pop. I get so deeply into the music, it feels like I've become someone else.
The month of September is Women in Jazz, so I'm doing jazz there in September. I'm in for the duration.
Possibly, I should have been a jazz singer from the beginning.
Jazz radio is not very friendly to pop singers who decide to make a jazz record. But a lot of people have been. A lot of the people I've talked to like the record.
It seems that jazz is more cerebral and more mathematical in a sense.
Jazz is the only music in which the same note can be played night after night but differently each time.
So I went into jazz and performed in jazz clubs all over the country.
I am famous because I am an African American jazz artist.
I don't know if I have enough guts to do a whole standard jazz record.
What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.
What I see for the band by the end of this year is the Complex live at the Montreux Jazz Festival. I want my guys to be comfortable. I'm certainly not in this for the money, but I'd really like to see my guys make some money off of this stuff.