If you play jazz, then you play with your fingers. If you're playing rock, you use a pick. There's really no rhyme or reason to that other than that's just the way it has been.
I don't regard myself as a great classical or jazz pianist. I like country music, but I'm not a great player. I just like music. Drums 'n' bass is pretty exciting and I'd love to explore it.
Eclecticism is the word. Like a jazz musician who creates his own style out of the styles around him, I play by ear.
If one takes all the styles in jazz harmonically from the earliest beginnings to the latest experiments, he still has a rather limited scope when compared to the rest of music in the world.
By and large, jazz has always been like the kind of a man you wouldn't want your daughter to associate with.
The way that I got involved with microtonal music was, frankly, through jazz.
It seems to me monstrous that anyone should believe that the jazz rhythm expresses America. Jazz rhythm expresses the primitive savage.
Writing is like jazz. It can be learned, but it can't be taught.
I wanted to play some more grown-up music - jazz.
I think more than writers, the major influences on me have been European movies, jazz, and Abstract Expressionism.
The thing to judge in any jazz artist is, does the man project and does he have ideas.
And over the last ten years, after my work with the Brodsky Quartet, I had the opportunity to write arrangements for chamber group, chamber orchestra, jazz orchestra, symphony orchestra even.
Jazz is not the popular culture. Jazz is in the same position in our culture as classical music. A very small minority of people really love it.
I've always wanted to record a jazz record. I did one in the '70s with Barbara Carroll. It's been a journey.
I wanted to make a jazz record. I didn't want it to be a standards record.