The history of all big jazz bands shows was, first they played for dancing, and then they played for singing.
The public, hearing pop music, is, without knowing it, also soaking up jazz.
The way that we imitate each others' riffs is something that other bands don't do as much. If we're jamming with a jazz band, or I am jamming with a jazz band, I have to catch myself, the tendency is always to do that.
Jazz to me is a living music. It's a music that since its beginning has expressed the feelings, the dreams, hopes, of the people.
In jazz, there is a lot of European influence harmonically.
What I'm doing, I prefer to call that jazz, because it is a beautiful word - I love it.
I'm really getting to appreciate traditional jazz now - the New Orleans stuff - a lot more than I did before.
I like a lot of electronica. I like older jazz rather than newer.
We didn't go for music that sounded like blues, or jazz, or rock, or Led Zeppelin, or Rolling Stones. We didn't want to be like any of the other bands.
You don't rehearse jazz to death to get the camera angles.
As far as playing jazz, no other art form, other than conversation, can give the satisfaction of spontaneous interaction.
Life is a lot like jazz... it's best when you improvise.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
Coltrane was moving out of jazz into something else. And certainly Miles Davis was doing the same thing.
The only element of jazz that I keep is improvisation.