I turned my home state of Florida into the Land of Xanth.
I maintain the rather old-fashioned view that this is my work and it's in the public arena, but that doesn't entitle everyone to know what happened at home before coming here.
I'm very attached to Paris because I have a base there and am also recording there, but New York is home to me when I'm in the U.S., because it's nice to have a bed to go back to.
I'm always on a train or a plane, so wherever I happen to be is home.
I long, as does every human being, to be at home wherever I find myself.
The ache for home lives in all of us, the safe place where we can go as we are and not be questioned.
And after I compose my programs, but it is very easy because I look to the music in a very natural way without fuss, and so I look always music, in my home, like books and books and books, choose books and you read the pages, so I do this with music, and I make programs.
I'm a 7 o'clock act. My people want to go to a show, a dinner and then go home and go to bed.
I got to spend all of my time every day at work reading and editing papers about cutting-edge technical research and getting paid for it. Then I'd go home at night and turn what I learned into science fiction stories.
My mother speaks of my step being a source of life-long pain to her, that it is a living death, etc. By the same post I had several letters from anxious relatives, telling me that it was my duty to come home and thus ease my mother's anxiety.
Sweden is the home of my ancestors, and I have reserved a special place in my heart for Sweden.
I'd just as soon stay home and raise babies.
The first day I arrived, they told me to go home and get rid of that cold.
But you know, I still had a dream of being able to go back home and tour.
Basically my wife was immature. I'd be at home in the bath and she'd come in and sink my boats.