But let's face it, I still have to look at my self and look at the things I've done down the stretch.
Before I left, I opened a lot of doors for a lot of people to play the blues.
I focused on how these people became how they were.
But I never had that commercial opportunity to be played on the radio, so how could I be popular?
I want people to recognize Luther Allison when I play.
When I got to Chicago I had to find my way.
What I want to do, is play music for somebody who believe in me.
Well, I've had to deal with everything in my life... leavin' the family, learnin' what not and what to do.
Well, I first started going to Europe in the late '70s.
We played the same thing in Europe we played in the States.
The blues is the foundation, and it's got to carry the top. The other part of the scene, the rock 'n' roll and the jazz, are the walls of the blues.
Me being a skinny guy, I could crawl into the steel pit.
In the States, it takes you a lifetime just to get from Chicago's South Side to the West Side.
But you know, I still had a dream of being able to go back home and tour.
I want to play in a place people want to hear me.