There must be possible a fiction which, leaving sociology and case histories to the scientists, can arrive at the truth about the human condition, here and now, with all the bright magic of the fairy tale.

I hesitate to predict whether this theory is true. But if the general opinion of Mankind is optimistic then we're in for a period of extreme popularity for science fiction.

Writing fiction, there are no limits to what you write as long as it increases the value of the paper you are writing on.

You really have to soak up the culture of the people to get it right. If you're making a fiction film, it's entertainment, but you want it to be as real as possible.

For people who have no critical acumen, a state is a mythical entity, for those who think critically it is a rational fiction, created by man in order to facilitate human coexistence.

Fiction came quite a while later. I began with short stories and fiction for children.

It's always good when women win things in fiction because it tends to be more male-dominated, unlike poetry, which is more equal.

In fiction, too, after the death of Cooper the main tendency for nearly a generation was away from the conquest of new borders to the closer cultivation, east of the Mississippi, of ground already marked.

IT is mere coincidence that Cooper was born in the year which produced The Power of Sympathy and that when he died Uncle Tom's Cabin was passing through its serial stage, and yet the limits of his life mark almost exactly the first great period of American fiction.

The region west of the Mississippi continued in the popular mind to be a strange land for which the reports of explorers and travellers did the work of fiction, and Cooper's Prairie had few followers.

The two most common charges against the older fiction, that it pleased wickedly and that it taught nothing, had broken down before the discovery, except in illiberal sects, that the novel is fitted both for honest use and for pleasure.

I quite enjoy science fiction.

There is no longer any such thing as fiction or nonfiction; there's only narrative.

It's part of a cycle of stories I'm writing where I deconstruct classic science fiction.

Science fiction writers, I am sorry to say, really do not know anything. We can't talk about science, because our knowledge of it is limited and unofficial, and usually our fiction is dreadful.