These songs are old friends I have entertained myself with when I'm washing the dishes, driving to the store and walking down the aisles. The ones that you sing when you're driving in the car and as a singer you always go back to them.

And luckily, therefore the good old days return. The traditional art of driving counts again, and it is all about good tactics, skills and reflexes instead of simple power.

I always think about what I missed, and I think that was my driving force - never be satisfied with what I've done.

The forces that are driving mankind toward unity and peace are deep-seated and powerful. They are material and natural, as well as moral and intellectual.

I always admired Walt's optimism. He seemed to know the direction he was going to. When I was at the studio, I remember he kept driving all of us back down to a more fundamental level all the time.

The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'

My driving abilities from Mexico have helped me get through Hollywood.

I did, I'd say, at least about 80 percent of the rest of the driving, and I had the time of my life.

After Survivor, I was driving across country and moving to San Francisco, going to get a job interning at an ad agency. And then they asked me to read for this movie.

Growing up in northern California has had a big influence on my love and respect for the outdoors. When I lived in Oakland, we would think nothing of driving to Half Moon Bay and Santa Cruz one day and then driving to the foothills of the Sierras the next day.

It was 100 feet of 16 mm black-and-white film of a car coming to a stop sign, and driving off. I had to decide how to frame and light it. It was magic. There was a sense of mystery.

Well, I've learned something from Michael Robison just about maximizing your shots. For example, if I'm shooting a scene and someone's driving at the wheel, you could steal an insert in the same shot.

With the marketing pressures driving the book world today, it's much easier to get the author of a memoir on a television show than a serious novelist.

It's the equivalent of putting on the brakes suddenly while driving uphill.

I have worked hard to improve my consistency in my driving, irons, short game, and putting.