I have no problem selling books to media franchises and we do it all the time. The author must understand that he/she is a writer for hire and has no control over copyright or over editorial changes made to the text.
There's so much of it you can't control. There is no handbook for how to conduct yourself in the public world.
Even Hitchcock liked to think of himself as a puppeteer who was manipulating the strings of his audience and making them jump. He liked to think he had that kind of control.
Seriously, we are in the midst of the convergence of voice and data and that is challenging the infrastructure of the telephone companies. There are huge commercial interests in the basic technology, but even more so in content delivery and control of content.
We're really in control; that's the difference. We were out of control then.
The only security for the American people today, or for any people, is to be found through the control of force rather than the use of force.
The New York Times editorial page is like a Ouija board that has only three answers, no matter what the question. The answers are: higher taxes, more restrictions on political speech and stricter gun control.
I don't know what 'operational control' of the border means, but I do understand the English language. And as I understand that phrase, that's not true. We do not have operational control.
You're encouraged to pitch your own story. That way, you'll have more control over what you do.
The affairs of life embrace a multitude of interests, and he who reasons in any one of them, without consulting the rest, is a visionary unsuited to control the business of the world.
But I think Barry Sonnenfeld let his ego go out of control. He told me in a meeting that he had to do something to make it his film.
Our memories are card indexes consulted and then returned in disorder by authorities whom we do not control.
By adopting the control strategy, the nation's environmental program has created a built-in antagonism between environmental quality and economic growth.
We create monsters and then we can't control them.
But I have always - ever since The Accidental Woman - written novels about individuals attempting to make choices in the context of situations over which they have no control.