But at the same time, the commonplace statement about them is true: every character is the hero of his own story. Each has a justification for his actions that is convincing to him. It's fun to give these people voices.
What I look for in any character, good or bad, is whether I can hear him speak. If I can imagine him that clearly, then I can write about him.
Scouting ought to be about building character, not about sex. Period. Precious few parents enroll their boys in the Scouts to get a crash course in sexual orientation.
The student develops an analytical as well as finely blended character. He is able to choose from a wide variety of job fields from which to embrace a career, without having to be a specialist in one particular discipline.
I love working with new directors. There's so much drive and effort. It still comes down to the character for me, but if it's a character I really want to play, I would never not do the project because of a new director.
Once upon a time there was a widow who had two daughters. The elder was so much like her, both in looks and character, that whoever saw the daughter saw the mother.
I lost 90 pounds and my blood pressure went down to a normal level and the salt in my urine disappeared. And that was when I had to make the transition from fat character actor to thin character actor.
Well, usually when I finish one character, I'm looking for a role that's really different.
I can understand in some sense, having played the character, how unimaginably frustrating it is for people to tell you that you can't love who you love, because you ain't going to change it, and so they have to get out of your way.
The strength of the United States is not the gold at Fort Knox or the weapons of mass destruction that we have, but the sum total of the education and the character of our people.
We work with every one of them to see if their character wouldn't say a certain thing or if something is worded awkwardly - we work with them to rectify that.
Well, my mom is single and we've both been single at the same time over the last ten years, so I really related to the bond between my character and Diane's.
Inside of all the makeup and the character and makeup, it's you, and I think that's what the audience is really interested in... you, how you're going to cope with the situation, the obstacles, the troubles that the writer put in front of you.
A man's character never changes radically from youth to old age. What happens is that circumstances bring out characteristics which have not been obvious to the superficial observer.
It's a treat to portray a complex character. Besides... where else could I find a job where emotional outbursts and odd exclamations like 'Egad!', 'Narf!', 'Poit!', 'Splonk!' and 'Zort!' are allowed?