Twenty games is the magic figure for pitchers - .300 is the magic figures for batters. It pays off in salary and reputation. And those are the two things that keep a ballplayer in business.
I'm not out there trying to get press for myself nor am I trying to convince anybody that I'm living any kind of a life. I'm actually trying to convince people: I don't want you to know what I'm living, because it's none of your business.
Is it not the business of the conductor to convey to the public in its dramatic form the central idea of a composition; and how can he convey that idea successfully if he does not enter heart and soul into the life of the music and the tale it unfolds?
Don't compare me to Babe Ruth. God gave me the opportunity and the ability to be here at the right time, at the right moment, just like he gave Babe Ruth when he was playing. I just hope I can keep doing what I've been doing - keep taking care of business.
Part of it has to do with this business of being approached in public. I have a distinctive look - it's partly the glasses I wear - and people seem to remember me once they've seen me.
I'm sure some people will say, 'Why do this?' And my response is, 'Why wouldn't you?' The film business in general is using a model that is outdated and, worse than that, inefficient.
The great thing about the business is how Darwinian it is. We have to swim or die - if you are found wanting over a period of time, you've either got to change what you're doing or find something else to do.