Apprentice is the beginner - the first years you work in a craft in the European sense you are an apprentice. That takes 3 or 4 years. Then you are a journeyman. You can go from one master to another and learn other tricks and other secrets.
Abstraction is real, probably more real than nature.
Ah, the creative process is the same secret in science as it is in art. They are all the same absolutely.
Any ground subtracts its own hue from the colors which it carries and therefore influences.
As basic rules of a language must be practiced continually, and therefore are never fixed, so exercises toward distinct color effects never are done or over. New and different cases will be discovered time and again.
I count all the time on resonance. I call on this, you see.
I have invented the Thermometer style.
In Italy the artist is a god. Now if the artist is a god, the scientist is likewise a god.
You see, I have in my teaching - I always say I've done it for a hundred years and have had thousands of students - I have always spoken against just falling onto your knees for so-called accidents, I mean a result you are not responsible for.
When we are honest - that's my saying - if we are honest then we will reveal ourselves. But we do not have to make an effort to be individualistic, different from others.
When I came from horizontal vertical straight all old stuff then suddenly I go also again in curved lines. And there I submit to changes in the intensity of my hand leading a tool, you see.
I've handled colour as a man should behave. You may conclude that I consider ethics and aesthetics as one.
Traditionally art is to create and not to revive. To revive: leave that to the historians, who are looking backward.
The aim of our studies is to prove that color is the most relative means of artistic expression, that we never really perceive what color is physically.
Simultaneous contrast is not just a curious optical phenomenon - it is the very heart of painting.