With the Internet, kids today learn things quicker than we do and they have everything there is to see, so you have to do more than just remake some old '70s film.

The food in Europe is pretty disappointing. I like fried chicken. But other than that Europe is great.

It doesn't matter to me if it has a surprise ending or not. I usually go for the material or the project.

It's rare that I come across actors who are willing to work as hard on the material as I am.

Look, we are a rock group. But you should see all those things in perspective. People tend to blow up everything into ridiculous proportions. And then the fun is gone real soon.

There's a real danger in doing a sequel. There are some benefits, but that all hinges on how well you execute. Quite frankly, most sequels don't execute well.

Ultimately in the end, it's the director's choice.

We never really felt a real level of respect. The fame was fantastic, but that wasn't that important to me, because for every million people that loved me I focused on the one that hated me.

What's important is self-appreciation.

We're entertainers, while people want us to be gods.

In the end I'm the only one who knows me.

A lot of kids do look up to us. But there are just as many elderly people to put us down.

For young filmmakers, Saw is a perfect film. It doesn't cost the GNP of almost every country of the world.

I didn't have big movie offers, or any big agents wanting to work with me. I had to go grassroots, start at the bottom and go on 150 auditions before someone finally gave me a shot.

I had to learn how to become a real actor, I had to suffer and be rejected and face that 100 times just like every actor. It wasn't like someone handed it to me.