After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player.
I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
Elizabeth, Lady C, claims to be writing at the limits of language. Would it not be insulting to her if I were diligently to follow after her, explaining what she means but is not smart enough to say?
If it is indeed impossible - or at least very difficult - to inhabit the consciousness of an animal, then in writing about animals there is a temptation to project upon them feelings and thoughts that may belong only to our own human mind and heart.
I see no marks of Wordsworths style of writing or style of thinking in my own work, yet Wordsworth is a constant presence when I write about human beings and their relations to the natural world.
When you do a writing job for a studio, one of the things you want to do is satisfy the expectations of your employer. That's a little bit different than when you sit down and write something to satisfy yourself, because then you're the employer.
As I said, I had no publisher for What a Carve Up! while I was writing it, so all we had to live off was my wife's money and little bits I was picking up for journalism.
As soon as you start writing about how human beings interact with each other socially, you're into politics, aren't you?
I became quite taken over by Johnson's personality at some points while writing the biography, and since I went straight on to The Closed Circle afterwards, I did sometimes feel I could hear him whispering in my ear while I was working on it.
I have two ideas for novels at the moment, neither of them all that conventional, but I'm not ready to choose between them yet, let alone settle down to the process of writing.
Luckily, in my case, I have managed, by writing, to do the one thing that I always wanted to do.
You would go mad if you began to speculate about the impact your novel might have while you were still writing it.
I did a lot of writing for a lot of different kinds of bands that I was in and out of during those five years and that left me with a little body of songs that I liked better when I played alone, so I ended up going out solo and very soon made my first album.
I'd always loved poetry and I'd always loved writing music and composing music, but I hadn't thought of putting the two together until around that time.
The second half of the '60s really was a kind of learning period, in terms of writing, for me.