I met an American woman and got married so I had to get a job.
In a Balenciaga you were the only woman in the room - no other woman existed.
I think people really marry far too much; it is such a lottery after all, and for a poor woman a very doubtful happiness.
I think almost every woman artist I've ever met has this ideal of being in a partnership working situation with a man, that men don't seem to share. They seem to want this ideal thing, that we'll always be together and work together.
There must have been something in my nature - I believe, with all my heart, that I have conquered it now - which prevented me from being perfectly happy or making a woman perfectly happy.
In the end, my pursuit of the elusive New York State driver's license became about much more than a divorced woman's learning to drive for the first time.
My mother wanted me to understand that as a woman I could do pretty much whatever I wanted to, that I didn't have to use sex or sexuality to define myself.
If I'm not interested in a woman, I'm straight-forward. Right after sex, I usually say, 'I can't do this anymore. Thanks for coming over!'
We're way overdue on a woman sitting in one of those Big Three chairs.
I am a friend of life, at 80 life tells me to behave like a woman and not like an old woman.
I'm not interested in seeing a film just made by a woman - not unless she is looking for new images.
I've always believed that one woman's success can only help another woman's success.
The modern rule is that every woman should be her own chaperone.
Once a woman has given you her heart, you can never get rid of the rest of her.
A slighted woman knows no bounds.