France cannot be destroyed. She is an old country who, despite her misfortunes, has, and always will have, thanks to her past, a tremendous prestige in the world, whatever the fate inflicted upon her.
Workers of France, it is for the freedom of the prisoners that you will go to work in Germany! It is for our country that you will go in large numbers!
I say I don't need a tax cut. It will not do me any more good. I can't buy more, I can't eat more, I can't do more, and I want it distributed among the ordinary people who work every day.
I shall have less cause to regret the carrying my intended purpose into effect, foreseeing that you may immediately fill with advantage, the vacancy which will presently happen.
I think we will always have the impulse towards visual poetry with us, and I wouldn't agree with Bly that it's a bad thing. It depends on the ability of the individual poet to do it well, and to make a shape which is interesting enough to hold your attention.
We do very little re-writing in the office. We often take on people who show great promise and who we hope will develop into somebody important and someone good.
Of course a poem is a two-way street. No poem is any good if it doesn't suggest to the reader things from his own mind and recollection that he will read into it, and will add to what the poet has suggested. But I do think poetry readings are very important.
If you're sitting in your minivan, playing your computer animated films for your children in the back seat, is it the animation that's entertaining you as you drive and listen? No, it's the storytelling. That's why we put so much importance on story. No amount of great animation will save a bad story.
But you will understand by yourselves that the matter applies equally well to the organization of the officials of justice, of administrative officials, etc; these are likewise organized instruments of power in certain societies.