When you're a little kid, you don't see color, and the fact that my friends were black never crossed my mind. It never became an issue until I was a teenager and started trying to rap.
I'm not trying to find another thing that's wrong with me, but I'm such a nice person, and I have a couple of drinks and I'm really good fun and then I'm really not fun.
I was always playing the Hammond Organ back to front even during the days of the Nice, going back to 1968. Really what I was doing there, was choosing notes at random and trying to make some sense of them, improvising back to front.
I just think that it's such a good show and timeless and still very funny, and that just makes me happy to have that whole first season in one concentrated space for people to enjoy so that it's not hit and miss trying to find it in syndication always.
You know, she was a girl. She was a female. And she wasn't like, trying to compete in a man's world and she wasn't trying to be in a man's position, she was just who she was. And I think that was like, a good thing.
You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff.
So, we need to delegitimize the nuclear weapon, and by de-legitimizing... meaning trying to develop a different system of security that does not depend on nuclear deterrence.
Everybody has to chip in, I think, and see how we can have a functioning system of collective security where we do not continue to face the threat of countries trying to acquire weapons of mass destruction or particularly nuclear weapons.
