As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone.
The kids like to get pictures of me for their parents. They know how proud I am of them-they have a lot more to worry about than my stardom. They are trying to make good choices for their own lives, but this gives them a little fun. They are part of my family.
French is, in many ways, more difficult for an English-speaking person to sing. It is so full of complex and trying vowels. It requires the utmost subtlety.
In terms of the character itself, I can't really say that I find anything really difficult. I enjoy the character so much I don't perceive difficulty in trying to be him. It's just a matter of how do we get there.
It took us two years to get our first real gig. That was a big dream. We ended up booking a lot of our own gigs and putting on a lot of our own shows. We were trying to get our actual music across, trying to make a connection there.
They make Spy Kids, they make Scream, they make A Scary Movie. This doesn't do that, so it could be a very bad marriage. I'm trying to keep this potential nightmare quiet because we're just finishing editing.
There are moments when television systems are young and haven't formed properly, and there's room for lots of original stuff. Then things become more and more top-heavy with executives who are trying to guarantee the success of things.
So I'm trying to spread myself to the point to where I can do the night shows and not have to worry about the matinees, and do one or two matinees down through the year.
I pretty much only write by default, because I want to make certain projects so instead of trying to wait and find them, I create them, but I'm not really a writer.
Psychology is still trying to explain the perception of the position of an object in space, along with its shape, size, and so on, and to understand the sensations of color.
