The attitude of physiological psychology to sensations and feelings, considered as psychical elements, is, naturally, the attitude of psychology at large.

Our religious belief usurps the place of our sensations, our imaginations of our judgment. We no longer look to actions, trace their consequences, and then deduce the rule; we first make the rule, and then, right or wrong, force the action to square with it.

God is acting on your soul all the time, whether you have spiritual sensations or not.

Art distills sensations and embodies it with enhanced meaning.

To awaken quite alone in a strange town is one of the pleasantest sensations in the world.

There is something very basic to the sense of listening. The sense of hearing is the only one that operates totally from vibrations, without other physical or chemical reactions to receive the sensations.

European films were what it was about for me - the sensations I needed, the depth, the storytelling, the characters, the directors, and the freedom that you can't really find in American films.

I began to understand my sensations, to know what I wanted, at around the age of forty - but only vaguely.

The essential attribute of a new sense is, not the perception of external objects or influences which ordinarily do not act upon the senses, but that external causes should excite in it a new and peculiar kind of sensation different from all the sensations of our five senses.

How individuals of the same species surpass each other in these sensations and in other bodily faculties is universally known, but there is a limit to them, and their power cannot extend to every distance or to every degree.

Ordinarily pleasure and pain are regarded as different from sensations.

Bodies do not produce sensations, but complexes of elements (complexes of sensations) make up bodies.

I have tried to present my sensations in what is the most congenial and impressive form possible to me.

Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics.

I don't know what a painting is; who knows what sets off even the desire to paint? It might be things, thoughts, a memory, sensations, which have nothing to do directly with painting itself. They can come from anything and anywhere.